Artwork — Trish Brown

Stage: juncture oil on linen on boardFramed

Commission - SoldOil on linen on birch panel

Fragmentation - Sold Oil on linen on birch panel

Alteration 1 - Sold 37 x 43cm framedoil on linen on board

Three Passageways - Sold48 x 62.5cm framedoil on linen on board

To and Fro - Sold26 x 35cm framedoil on board

Interior:light 1 - series - Sold23 x 18cm framedoil on linen on board

Interior:light 2 - series - Sold23 x 18cm framedoil on linen on board

Traces:series A - Sold26 x 21cm framedoil on linen on board

Traces:series B26 x 21cm framedoil on linen on board

Traces:series C - Sold26 x 21cm framedoil on linen on board

Backcloth: rehearsaloil on linen on board54.5 x 63.5cm framed

Backcloth: rehearsal - Detailoil on linen on board54.5 x 63.5cm framed

Passage:Pathway75x90cmOil on linen on board

Passage:Pathway - Detail75x90cmOil on linen on board

Partitions - Sold53 x 45cm framedOil on linen on panelLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Partitions - Detail53 x 45cm framedOil on linen on panelLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Lineation Sold - Royal Academy Summer Exhibition 2017Oil on linen on panel62 x 46cm Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}Lineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Lineation - Detail - SoldOil on linen on panel62 x 46cmLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Interchange - SoldOil on linen on panel53 x 45cmLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Interchange - Detail - SoldOil on linen on panel53 x 45cmLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Fold: screens series - SoldOil on Panel 18cm x 23cm Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}The play of light and shade invites contradictions between what we see or think we see, the real or the imaginary.The first series of work responds to the diagrammatical studies of the Dictionnaire Raisonne de l’Architecture Francais by Viollet-le-Duc, Eugene- Emmanuel, 1814-1879. It examines the interaction between hard, constructed surfaces and the way that light is absorbed and reflected, how it delineates and penetrates these facades.The second series of studies further explores light and shadow. It reveals ambiguities and paradoxes in our perception when we observe a shape, a mirror, or a space trapped within a pale or conversely, a dark framework.

Trace:series G - SoldOil on linen on panel 18cm x 23cm

Trace:series HOil on linen on panel 18cm x 23cm

Trace:series IOil on linen on panel 18cm x 23cm

Trace:series JOil on linen on panel 18cm x 23cm

Trace:series KOil on linen on panel 18cm x 23cm

Trace:series LOil on linen on panel 18cm x 23cm

Structures: light seriesOil on Panel 18cm x 23cm Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}The play of light and shade invites contradictions between what we see or think we see, the real or the imaginary.The first series of work responds to the diagrammatical studies of theDictionnaire Raisonne de l’Architecture Francais by Viollet-le-Duc, Eugene- Emmanuel, 1814-1879. It examines the interaction between hard, constructed surfaces and the way that light is absorbed and reflected, how it delineates and penetrates these facades.The second series of studies further explores light and shadow. It reveals ambiguities and paradoxes in our perception when we observe a shape, a mirror, or a space trapped within a pale or conversely, a dark framework.

$Diffraction 1$

Diffraction 1 Oil on Panel 18cm x 23cm Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}This is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 2$

Diffraction 2Oil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 3 - Sold$

Diffraction 3 - SoldOil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 4$

Diffraction 4Oil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 5$

Diffraction 5Oil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 6 - Sold$

Diffraction 6 - SoldOil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 7 - Sold$

Diffraction 7 - SoldOil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

$Diffraction 8$

Diffraction 8Oil on Panel 18cm x 23cmThis is an on going series focusing on Lady Bay, Nottingham. It evokes the myriad shapes, shadows and hues in the glass windows of the buildings. The endlessly fluctuating daylight emphasizes, then diffuses, fragments of the entire image, influencing and distorting our perceptions and inviting an exchange between what is real and what is imaginary.

StandpointOil on linen on panel60 x 45 cmLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Standpoint - DetailOil on linen on panel60 x 45 cmLineation, Interchange, Standpoint, ComponentThese paintings are part of a series of ongoing works documenting the interiors at Calke Abbey in Derbyshire and its part-abandoned, part-conserved rooms and passages. The house invites contradictions between the apparent and the concealed. It is the light as it enters the building, the surface on which it falls and what we subsequently see, or think we see, that I am exploring in my work.

Trace:series D - Soldoil on linen on board18cm x 23cm

Trace:series E - Soldoil on linen on board18cm x 23cm

Transfer 1 - SoldAcrylic on Board35 x 25cm Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}Transfer 1, Transfer 2, Transfer 3,These works consider the transparency, translucency or opacity of glass and what the viewer is allowed to perceive when glass is diffused or obscured. Sometimes there is a partial glimpse or suggestion of what lies beyond and the entire image can be imagined. Sometimes the imagination is coerced into reinventing what is hidden.

Transfer 2 - SoldAcrylic on Board35 x 25cmTransfer 1, Transfer 2, Transfer 3These works consider the transparency, translucency or opacity of glass and what the viewer is allowed to perceive when glass is diffused or obscured. Sometimes there is a partial glimpse or suggestion of what lies beyond and the entire image can be imagined. Sometimes the imagination is coerced into reinventing what is hidden.

Transfer 3 - SoldAcrylic on Board35 x 25cmTransfer 1, Transfer 2, Transfer 3These works consider the transparency, translucency or opacity of glass and what the viewer is allowed to perceive when glass is diffused or obscured. Sometimes there is a partial glimpse or suggestion of what lies beyond and the entire image can be imagined. Sometimes the imagination is coerced into reinventing what is hidden.

UmbraMixed media on board

Fragment 1Mixed media on board12 x 8 cm

Fragment 2Mixed media on board12 x 8 cm

RecyclePaper on boardApprox 16 x 20cm

Transactions Pieces3D Mixed Media Normal 0 false false false EN-US JA X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Cambria; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-ansi-language:EN-US;}TransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

Fragment 3Mixed MediaTransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

Transactions Pieces3D Mixed MediaTransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

TransactionsMaquette - PlasterTransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

TransactionsLife sized armature - Welded SteelTransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

Cages Installation Detail Series of 3 life sized articulated puppets

TransactionsWax wire maquettesTransactionsThese sculptural pieces reference individual evolvement. Each piece chronicles the history of its construction by inclusions enmeshed within its fabrication. These inclusions are composed of inherent vestiges of the past: threads of yarn, traces of print, silken fragments and sparkling beads. The pieces are connected to each other through these obscured links and associations.

Cages - FilmFine Art Installation & Film